Becoming a professional photographer

I have several professional photographers who come to me on a regular basis - some of these travel up from London for the sort of coaching that can help keep them ahead of their game. I also get a great many amateur photographers who have ambitions to turn professional. Not all these photographers have what it takes to make it in the highly competitive world of professional photography. Jason Harry came to me full of enthusiasm and brimming with the sort of energy that just couldn't fail.

Today, just a couple of years later, Jason is chief photographer of a major studio in Manchester and has 7 photographers working under him. I'm delighted to say that Jason is among the countless numbers of my students who keep in touch regularly and the other day he sent me this photograph which he has agreed I should share with you.

This is what Jason wrote:
"Here is an image from a shoot that I did on Saturday night using rear curtain sync, two 580ex mounted on a film-type boom shooting through a big brolley, cannon don't do wireless rear curtain sync but that didn't stop me I had some custom kit made up including light sens triggers that mount on my camera 580ex and repeat shoot without having to reset the damn things and using the radio pulsar transmitters means (radio waves) they (the off camera units) can be up to 100 meters from me and still trip off - even through walls.

"The light setup on camera, boom, triggers, custom kit and two units on the boom is about £2k worth of stuff, I think it is worth the spend...

"Hope you like the resulting image, ISO 400 about 1/6 sec shutter speed and f5.6 from memory... oh and the camera hand held!!!

"The image has had some cross processing on the buss colours but apart from that it is as shot, I was taught well early on to get it right in camera as much as .... possible. All the best dude."

And to you Jason. Thanks for sharing.

A Practical Guide to Press Photography - 1

Over recent days I’ve posted some short passages from my book published way back in 1986 by Oxford Illustrated Press, ‘A practical Guide to Press Photography’. This book became a standard work in universities and colleges, and I heard of many college tutors who would read passages straight from it as part of there lectures. Anyway, I’m persuaded that much of the information in the book is just as relevant today as it was 22 years ago. As I’ve no intentions of re-publishing the book, I’ll be posting short passages from it from time to time – updating the information as I go. There are many tips that are just as useful to the hobbyist photographer as they are to the professional or aspiring photojournalist….

You can call a photojournalist a literate press photographer if you like, but I’ve always assumed that the two titles describe one and the same person. That is – someone who makes his or her living by taking photographs for publication in a newspaper or magazine. In the true sense of the word, I suppose a photojournalist should be capable of seeing the job through from start to finish: conceiving an idea, organising the assignment, taking the photographs, writing the story to go with them, and presenting the finished results as a useable package to an editor. Whereas a press photographer is more likely to be sent on a specific assignment determined by the editor and be responsible only for getting the pictures. A reporter will take care of the words.

The idea of reporting events in pictures is far from new . It goes back to the Stone-Age and beyond when primitive man first daubed hunting scenes on the walls of his cave. It happens that things are a little more sophisticated today. Mind you, looking around at present social trends, I sometimes wonder. However, the desire to convey and receive information in visual form is still just as strong. Pictorial reportage can transcend obstacles of language, race and culture to become a universal language of communication. However, it would be naïve to run away with the idea that all newspaper photographers are blessed with the missionary aim to change the world with the impact of their pictures. To most it is just a job like any other, and often a tedious job at that. Only on infrequent occasions will the average press photographer be well-placed to put across any sound of profound message in pictures; major stories and the type of on-the-spot news events that produce award winning pictures just don’t happen in front of every photographer every working day.

For the most part, the photographer will be involved in the manufacture of entertaining pictures from run-of-the-mill, and often re-hashed stories to feed the conveyor belt demand of a newspaper, be it local, regional or national.

I started work straight from school at the age of fifteen as a tea brewer and printer of the photo-sales on a local weekly newspaper. Having progressed through an apprenticeship, agencies, evening newspapers and freelancing to a staff position with the Daily Express, and then to have returned to freelancing again, my experience is fairly wide. However, no single photographer could hope to acquire a complete knowledge of every branch of photojournalism… the subject is just too diverse and life just too short. My aim with those posts is to pass on some of the proven techniques and short-cuts and to increase the understanding of press photography – not only to aspiring photographers – but to editors of all publications using the services of photographers.

I hope you enjoy the posts and look forward to your feedback and comments.