4 Nov 2008

Seeing photographs differently

It's been a particularly busy period with one-to-one tuition. Some photographers have come as far as Brighton in the south of England and the range of their skills and experience has been very wide-ranging: everyone from an complete beginner who brought along her new compact camera, to an experienced pro from London who wanted to learn more about using portable studio lighting on location.

The one thing that all these photographers have in common is a keenness to learn more and to get more from their photography. The other common denominator is that they all see things quite differently. I have many options for different locations here in Galloway, and I try to suit a location and subject to each photographer's particular requirements. Some, for instance want to learn more about photographing interiors, people or seascape. I simply take the photographer to the location that I believe will best suit. Even so, this means that I visit some locations more often than others - but always with different photographers.

The thing that never ceases to astound me is that each photographer will approach these subjects and photograph them in a totally different way. Yes, I know light conditions are never identical from one visit to the next, but that's not what I mean. Take Neil Murray, for instance. We went together to a part of the coast where there is an old derelict stone building. I've been their dozens of times with other photographers but none has seen it the way Neil saw it.

What was one of the first things he did? He sat in the ruined fireplace and pointed his lens up the chimney.

Okay, the picture didn't work very well, and as I watched him shooting away, I had a good idea that it wouldn't. But no way would I tell him that. Far better that he kept his enquiring eye and learnt from the ocassional failure. That way he will definitely produce something very special every now and again.

That's Neil in the photograph above

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